Fine Arts
Majors & Minors
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Fine Arts (BFA) -
Fine Arts (Minor)
Courses
FINE 122: Conceptual Practices
None.
FINE 133: Sculpture
Introduction to elements and principles of 3D design: space, form, mass, scale and proportion as a means to develop sculptural works in a variety of media. Research and sketches are an expectation as part of preliminary planning for each project.
None.
FINE 171: Painting
None.
FINE 200: Intermediate Drawing
Explore the fundamental concepts of drawing as they relate to a self-directed body of work. Historical and contemporary visual issues pertinent to the act of drawing are discussed. Various media, experimentation and invention will be encouraged.
First Year Drawing class or instructor permission.
FINE 208: Printmaking
None.
FINE 209: Printmaking: Etching
None.
FINE 214: Experimental Imaging
None.
FINE 215: Immersive Media Studio
None.
FINE 221: Intermediate Figure
None.
FINE 222: Conceptual Practices
Exploration of individual concepts and problem-solving skills through experimentation with variety of media and techniques. Replaces FINE 122 beginning in Fall 2024.
None.
FINE 240: Sculptural Ceramics
This course is an introduction to clay as a contemporary sculptural medium. Students develop basic hand building skills using subtractive, additive and constructive processes. Course content focuses on skill development with an exploration of contemporary issues in art as well as discussing artists utilizing sculptural ceramic processes.
Note: This is not wheel throwing, tile making or making utilitarian objects such as earthen ware, mugs or pottery.
None.
FINE 241: Sculptural Mold Making and Casting
Exploration of a variety of mold making and casting processes. Introduces contemporary sculptural issues and artists who utilize the casting process.
None.
FINE 248: Time Based
Continued study of time-based media. Exploration of concepts and techniques used in creating time-based media. Explore and critique use of video, animation, sound and interactivity. Emphasis on creation of meaning for personal expression.
Or equivalent.
FINE 250: Printmaking: Large Format
Introduction to large format printmaking. Instruction in large format processes, design principles, and concepts as related to various printmaking techniques. Emphasis on exploration and development of personal concepts and imagery on a large scale. Production of both one-of-a-kind and editioned works.
Or instructor permission.
FINE 260: Artists' Books
None.
FINE 271: Painting
Introduction to painting methods and materials. Develops perceptual abilities, sensitivity to color and value, and compositional ideas within the context of understanding pictorial space. Replaces FINE 171 beginning in Fall 2024.
None.
FINE 272: Narrative Painting
Continued study of painting methods and materials. Develops perceptual abilities, sensitivity to color and value, and compositional ideas within the context of understanding pictorial space.
Or equivalent.
FINE 274: Representational Painting
None.
FINE 301: Drawing: Special Topics
Addresses thematic and conceptual topics relevant in contemporary drawing. Course topics are determined each semester to address current issues in drawing, and related media. This course is repeatable under different topics.
First Year Drawing or Equivalent
FINE 302: Printmaking: Special Topics
Addresses thematic and conceptual topics relevant in contemporary printmaking. Course topics are determined each semester to address current issues in printmaking, and related media. This course is repeatable under different topics.
FINE 307: Digital Printmaking
None.
FINE 308: Printmaking: Screen Printing
None.
FINE 309: Printmaking: Lithography
None.
FINE 332: Sculpture: Special Topics
Addresses thematic and conceptual topics relevant in contemporary sculpture. Course topics are determined each semester to address current issues in sculpture, and related media.
Or equivalent.
FINE 335: Sculpture: Wood Fabrication
None.
FINE 336: Sculpture: Metal Fabrication
None.
FINE 338: Time Based Interactive
Successful completion of First Year program or permission of instructor.
FINE 339: Time Based: Special Topics
Addresses thematic and conceptual topics relevant in contemporary time-based media. Course topics are determined each semester to address current issues in video, time-based, and related media.
Or equivalent.
FINE 345: Sculpture: Installation
None.
FINE 371: Intermediate Painting
Addresses thematic and conceptual development in painting through individual problems. Attention to the articulation and refinement of each artist’s individual intention. Critical thinking of both studio practice and theoretical research will be emphasized and balanced.
200 level painting class or instructor permission.
FINE 372: Special Topics in Painting
Continued development addressing thematic and conceptual development in painting through individual problems. Attention to the articulation and refinement of each artist’s individual intention. Critical thinking of both studio practice and theoretical research will be emphasized and balanced.
200 level painting class or instructor permission.
FINE 385: Theory & Practice
Explore contemporary practices and work of relevant artists. Investigate personal artistic expression through a variety of media, writing; journal assignments; and cross-disciplinary critiques. Other activities may include recommended readings, fieldtrips, lectures and presentations from visiting artists and faculty.
3rd year Fine Arts standing.
FINE 386: Professional Practices
Continued exploration of contemporary practices and work of relevant artists. Investigate personal artistic expression through a variety of media, writing; journal assignments; and crossdisciplinary critiques. Other activities may include recommended readings, fieldtrips, lectures and presentations from visiting artists and faculty.
FINE 471: Advanced Painting
Advanced Painting addresses thematic and conceptual development in painting through individual problems. Attention to the articulation and refinement of each artist’s individual intention. Critical thinking of both studio practice and theoretical research will be emphasized and balanced.
200 level painting class or instructor permission.
FINE 479: Fine Arts Thesis I
Studio-based thesis course. Includes seminar discussions and writing component. Focus on creation of thesis project resulting in consistent body of work. Seminars explore professional skills and attitudes; theories and practices within contemporary art.
FINE 480: Fine Arts Thesis II
Continuation of Studio-based thesis course. Includes seminar discussions and writing component. Focus on creation of thesis project resulting in consistent body of work. Seminars explore professional skills and attitudes; theories and practices within contemporary art.
FINE 490: Advanced Fine Arts Studio I
Addresses thematic, conceptual, and technical development in finding connections across media through self-directed work. Attention to the articulation and refinement of each artist’s individual intention. Independent studio practice, critical thinking and theoretical research will be emphasized and balanced.
FINE 491: Advanced Fine Arts Focus I
Addresses thematic, conceptual, and technical development in painting, printmaking, sculpture, and time-based media through self-directed work. Attention to the articulation and refinement of each artist’s individual intention. Independent studio practice, critical thinking and theoretical research will be emphasized and balanced.
Completion of at least three (3) FINE 300-level studio classes or instructor permission.
FINE 492: Advanced Fine Arts Studio II
Continue to address thematic, conceptual, and technical development in finding connections across media through self-directed work. Attention to the articulation and refinement of each artist’s individual intention. Independent studio practice, critical thinking and theoretical research will be emphasized and balanced.
Or instructor permission.
FINE 493: Advanced Fine Arts Focus II
Continue to address thematic, conceptual, and technical development in painting, printmaking, sculpture, and time-based media through self-directed work. Attention to the articulation and refinement of each artist’s individual intention. Independent studio practice, critical thinking and theoretical research will be emphasized and balanced.
Or instructor permission.